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Wig 13 |
from
the linernotes (...) Throughout these varied improvisations, the two voices are distinct, separate, but inseparable; their parts dovetail, rotate, evade contact, mesh. Confusing the perception of background and foreground, both spin out lines, either in layers or counterpoint, which may thin out or thicken, then splinter off into extended melody which, in the subtle contemplation of light and shadow, tonal weight and restrained intensity, call to mind the pinpoint, nearly imperceptible clarity of lines on an Agnes Martin canvas. Likewise, emotion may be nearly imperceptible, but unavoidable as well. "Stof to Eiske-", significantly the longest performance, allows clarinet and viola each an aria of loss; as they gradually gravitate towards the other, the mood grows inescapably tender (...) - Art Lange |
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Baars: tenorsax,
clarinet, shakuhachi, noh-kan Ig Henneman: viola 1. Eye Dazzler (Baars-Henneman) 2:17 2. Tackety Dancing Shoes (Baars-Henneman) 3:29 3. Violetto Rossastro (Baars-Henneman) 6:11 4. Giallo di Napoli (Baars-Henneman) 4:26 5. Whirligig (Henneman) 4:02 6. Ruby Slippers (Baars-Henneman) 2:43 7. Castle Walk in Herringbone Suit (Baars-Henneman) 4:12 8. Igor's Bransle (Baars) 2:50 9. Hisako's Body Sway (Baars-Henneman) 2:13 10. Sabbia (Baars) 4:37 11. Turkeytrot (Baars-Henneman) 2:59 12. Grigia Perla per Noguchi (Baars-Henneman) 4:09 13. Stof -to Eiske- (Henneman) 10:13 14. Horse Dance (Baars-Henneman) 3:23 Total time: 57:52
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